But there are other instances where this whiteness loses all that
accessory and strange glory which invests it in the White Steed and
Albatross.

What is it that in the Albino man so peculiarly repels and often
shocks the eye, as that sometimes he is loathed by his own kith and
kin! It is that whiteness which invests him, a thing expressed by
the name he bears. The Albino is as well made as other men--has no
substantive deformity--and yet this mere aspect of all-pervading
whiteness makes him more strangely hideous than the ugliest abortion.
Why should this be so?

Nor, in quite other aspects, does Nature in her least palpable but
not the less malicious agencies, fail to enlist among her forces this
crowning attribute of the terrible. From its snowy aspect, the
gauntleted ghost of the Southern Seas has been denominated the White
Squall. Nor, in some historic instances, has the art of human malice
omitted so potent an auxiliary. How wildly it heightens the effect
of that passage in Froissart, when, masked in the snowy symbol of
their faction, the desperate White Hoods of Ghent murder their
bailiff in the market-place!

Nor, in some things, does the common, hereditary experience of all
mankind fail to bear witness to the supernaturalism of this hue. It
cannot well be doubted, that the one visible quality in the aspect of
the dead which most appals the gazer, is the marble pallor lingering
there; as if indeed that pallor were as much like the badge of
consternation in the other world, as of mortal trepidation here. And
from that pallor of the dead, we borrow the expressive hue of the
shroud in which we wrap them. Nor even in our superstitions do we
fail to throw the same snowy mantle round our phantoms; all ghosts
rising in a milk-white fog--Yea, while these terrors seize us, let us
add, that even the king of terrors, when personified by the
evangelist, rides on his pallid horse.

Therefore, in his other moods, symbolize whatever grand or gracious
thing he will by whiteness, no man can deny that in its profoundest
idealized significance it calls up a peculiar apparition to the soul.

But though without dissent this point be fixed, how is mortal man to
account for it? To analyse it, would seem impossible. Can we,
then, by the citation of some of those instances wherein this thing
of whiteness--though for the time either wholly or in great part
stripped of all direct associations calculated to impart to it aught
fearful, but nevertheless, is found to exert over us the same
sorcery, however modified;--can we thus hope to light upon some
chance clue to conduct us to the hidden cause we seek?

Let us try. But in a matter like this, subtlety appeals to subtlety,
and without imagination no man can follow another into these halls.
And though, doubtless, some at least of the imaginative impressions
about to be presented may have been shared by most men, yet few
perhaps were entirely conscious of them at the time, and therefore
may not be able to recall them now.

Why to the man of untutored ideality, who happens to be but loosely
acquainted with the peculiar character of the day, does the bare
mention of Whitsuntide marshal in the fancy such long, dreary,
speechless processions of slow-pacing pilgrims, down-cast and hooded
with new-fallen snow? Or, to the unread, unsophisticated Protestant
of the Middle American States, why does the passing mention of a
White Friar or a White Nun, evoke such an eyeless statue in the soul?

Or what is there apart from the traditions of dungeoned warriors and
kings (which will not wholly account for it) that makes the White
Tower of London tell so much more strongly on the imagination of an
untravelled American, than those other storied structures, its
neighbors--the Byward Tower, or even the Bloody? And those sublimer
towers, the White Mountains of New Hampshire, whence, in peculiar
moods, comes that gigantic ghostliness over the soul at the bare
mention of that name, while the thought of Virginia's Blue Ridge is
full of a soft, dewy, distant dreaminess? Or why, irrespective of
all latitudes and longitudes, does the name of the White Sea exert
such a spectralness over the fancy, while that of the Yellow Sea
lulls us with mortal thoughts of long lacquered mild afternoons on
the waves, followed by the gaudiest and yet sleepiest of sunsets?
Or, to choose a wholly unsubstantial instance, purely addressed to
the fancy, why, in reading the old fairy tales of Central Europe,
does "the tall pale man" of the Hartz forests, whose changeless
pallor unrustlingly glides through the green of the groves--why is
this phantom more terrible than all the whooping imps of the
Blocksburg?

Nor is it, altogether, the remembrance of her cathedral-toppling
earthquakes; nor the stampedoes of her frantic seas; nor the
tearlessness of arid skies that never rain; nor the sight of her
wide field of leaning spires, wrenched cope-stones, and crosses all
adroop (like canted yards of anchored fleets); and her suburban
avenues of house-walls lying over upon each other, as a tossed pack
of cards;--it is not these things alone which make tearless Lima, the
strangest, saddest city thou can'st see. For Lima has taken the
white veil; and there is a higher horror in this whiteness of her
woe. Old as Pizarro, this whiteness keeps her ruins for ever new;
admits not the cheerful greenness of complete decay; spreads over her
broken ramparts the rigid pallor of an apoplexy that fixes its own
distortions.

I know that, to the common apprehension, this phenomenon of whiteness
is not confessed to be the prime agent in exaggerating the terror of


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