so afterwards. He, too, felt that we were destined to know each other."

"And how did Lady Brandon describe this wonderful young man?" asked his
companion. "I know she goes in for giving a rapid precis of all her
guests. I remember her bringing me up to a truculent and red-faced old
gentleman covered all over with orders and ribbons, and hissing into my
ear, in a tragic whisper which must have been perfectly audible to
everybody in the room, the most astounding details. I simply fled. I
like to find out people for myself. But Lady Brandon treats her guests
exactly as an auctioneer treats his goods. She either explains them
entirely away, or tells one everything about them except what one wants
to know."

"Poor Lady Brandon! You are hard on her, Harry!" said Hallward listlessly.

"My dear fellow, she tried to found a salon, and only succeeded in
opening a restaurant. How could I admire her? But tell me, what did she
say about Mr. Dorian Gray?"

"Oh, something like, 'Charming boy--poor dear mother and I absolutely
inseparable. Quite forget what he does--afraid he-- doesn't do
anything--oh, yes, plays the piano--or is it the violin, dear Mr. Gray?'
Neither of us could help laughing, and we became friends at once."

"Laughter is not at all a bad beginning for a friendship, and it is far
the best ending for one," said the young lord, plucking another daisy.

Hallward shook his head. "You don't understand what friendship is,
Harry," he murmured--"or what enmity is, for that matter. You like every
one; that is to say, you are indifferent to every one."

"How horribly unjust of you!" cried Lord Henry, tilting his hat back and
looking up at the little clouds that, like ravelled skeins of glossy
white silk, were drifting across the hollowed turquoise of the summer
sky. "Yes; horribly unjust of you. I make a great difference between
people. I choose my friends for their good looks, my acquaintances for
their good characters, and my enemies for their good intellects. A man
cannot be too careful in the choice of his enemies. I have not got one
who is a fool. They are all men of some intellectual power, and
consequently they all appreciate me. Is that very vain of me? I think it
is rather vain."

"I should think it was, Harry. But according to your category I must be
merely an acquaintance."

"My dear old Basil, you are much more than an acquaintance."

"And much less than a friend. A sort of brother, I suppose?"

"Oh, brothers! I don't care for brothers. My elder brother won't die,
and my younger brothers seem never to do anything else."

"Harry!" exclaimed Hallward, frowning.

"My dear fellow, I am not quite serious. But I can't help detesting my
relations. I suppose it comes from the fact that none of us can stand
other people having the same faults as ourselves. I quite sympathize
with the rage of the English democracy against what they call the vices
of the upper orders. The masses feel that drunkenness, stupidity, and
immorality should be their own special property, and that if any one of
us makes an ass of himself, he is poaching on their preserves. When poor
Southwark got into the divorce court, their indignation was quite
magnificent. And yet I don't suppose that ten per cent of the
proletariat live correctly."

"I don't agree with a single word that you have said, and, what is more,
Harry, I feel sure you don't either."

Lord Henry stroked his pointed brown beard and tapped the toe of his
patent-leather boot with a tasselled ebony cane. "How English you are
Basil! That is the second time you have made that observation. If one
puts forward an idea to a true Englishman--always a rash thing to do--he
never dreams of considering whether the idea is right or wrong. The only
thing he considers of any importance is whether one believes it oneself.
Now, the value of an idea has nothing whatsoever to do with the
sincerity of the man who expresses it. Indeed, the probabilities are
that the more insincere the man is, the more purely intellectual will
the idea be, as in that case it will not be coloured by either his
wants, his desires, or his prejudices. However, I don't propose to
discuss politics, sociology, or metaphysics with you. I like persons
better than principles, and I like persons with no principles better
than anything else in the world. Tell me more about Mr. Dorian Gray. How
often do you see him?"

"Every day. I couldn't be happy if I didn't see him every day. He is
absolutely necessary to me."

"How extraordinary! I thought you would never care for anything but your
art."

"He is all my art to me now," said the painter gravely. "I sometimes
think, Harry, that there are only two eras of any importance in the
world's history. The first is the appearance of a new medium for art,
and the second is the appearance of a new personality for art also. What
the invention of oil-painting was to the Venetians, the face of Antinous
was to late Greek sculpture, and the face of Dorian Gray will some day
be to me. It is not merely that I paint from him, draw from him, sketch
from him. Of course, I have done all that. But he is much more to me
than a model or a sitter. I won't tell you that I am dissatisfied with
what I have done of him, or that his beauty is such that art cannot


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