CANTO XXIII. Sixth Ledge the Gluttonous.--Forese
Donati.--Nella.--Rebuke of the women of Florence.
CANTO XXIV. Sixth Ledge: the Gluttonous.--Forese
Donati.--Bonagiunta of Lucca.--Pope Martin IV.--Ubaldin dalla
Pila.--Bonifazio.--Messer Marchese.--Prophecy of Bonagiunta
concerning Gentucca, and of Forese concerning Corso de'
Donati.--Second Mystic Tree.--The Angel of the Pass.
CANTO XXV. Ascent to the Seventh Ledge.--Discourse of Statius on
generation, the infusion of the Soul into the body, and the
corporeal semblance of Souls after death.--The Seventh Ledge:the
Lustful.--The mode of their Purification.
CANTO XXVI. Seventh Ledge: the Lustful.--Sinners in the fire,
going in opposite directions.--Guido Guinicelli.--Arnaut Daniel.
CANTO XXVII. Seventh Ledge: the Lustful.--Passage through the
Flames.--Stairway in the rock.--Night upon the stairs.--Dream of
Dante.--Morning.--Ascent to the Earthly Paradise.--Last words of
Virgil.
CANTO XXVIII. The Earthly Paradise.--The Forest.--A Lady
gathering flowers on the bank of a little stream.--Discourse with
her concerning the nature of the place.
CANTO XXIX. The Earthly Paradise.--Mystic Procession or Triumph
of the Church.
CANTO XXX. The Earthly Paradise.--Beatrice appears.--Departure of
Virgil.--Reproof of Dante by Beatrice.
CANTO XXXI. The Earthly Paradise.--Reproachful discourse of
Beatrice, and confession of Dante.--Passage of Lethe.--Appeal of
the Virtues to Beatrice.--Her Unveiling.
CANTO XXXII. The Earthly Paradise.--Return of the Triumphal
procession.--The Chariot bound to the Mystic Tree.--Sleep of
Dante.--His waking to find the Triumph departed.--Transformation
of the Chariot.--The Harlot and the Giant.
CANTO XXXIII. The Earthly Paradise.--Prophecy of Beatrice
concerning one who shall restore the Empire.--Her discourse with
Dante.--The river Eunoe.--Dante drinks of it, and is fit to
ascend to Heaven.
PURGATORY
CANTO I. Invocation to the Muses.--Dawn of Easter on the shore of
Purgatory.--The Four Stars.--Cato.--The cleansing of Dante from
the stains of Hell.
To run over better waters the little vessel of my genius now
hoists its sails, and leaves behind itself a sea so cruel; and I
will sing of that second realm where the human spirit is purified
and becomes worthy to ascend to heaven.
But here let dead poesy rise again, O holy Muses, since yours I
am, and here let Calliope somewhat mount up, accompanying my song
with that sound of which the wretched Picae felt the stroke such
that they despaired of pardon.[1]
[1] The nine daughters of Pieros, king of Emathia, who,
contending in song with the Muses, were for their presumption
changed to magpies.
A sweet color of oriental sapphire, which was gathering in the
serene aspect of the sky, pure even to the first circle,[1]
renewed delight to my eyes soon as I issued forth from the dead
air that had afflicted my eyes and my breast. The fair planet
which incites to love was making all the Orient to smile, veiling
the Fishes that were in her train.[2] I turned me to the right
hand, and fixed my mind upon the other pole, and saw four stars
never seen save by the first people.[3] The heavens appeared to
rejoice in their flamelets. O widowed northern region, since thou
art deprived of beholding these!
[1] By "the first circle," Dante seems to mean the horizon.
[2] At the spring equinox Venus is in the sign of the Pisces,
which immediately precedes that of Aries, in which is the Sun.
The time indicated is therefore an hour or more before sunrise on
Easter morning, April 10.
When I had withdrawn from regarding them, turning me a little to
the other pole, there whence the Wain had already disappeared, I
saw close to me an old man alone, worthy in look of so much
reverence that no son owes more unto his father.[1] He wore a
long beard and mingled with white hair, like his locks, of which
a double list fell upon his breast. The rays of the four holy
stars so adorned his face with light, that I saw him, as if the
sun had been in front.
[1] These stars are the symbols of the four Cardinal Virtues,--
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