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Next after all the group described, I saw two old men, unlike in
dress, but like in action, both dignified and staid. The one
showed himself one of the familiars of that supreme Hippocrates
whom Nature made for the creatures that she holds most dear[1]
the other showed the contrary care,[2] with a shining and sharp
sword, such that it caused me fear on the hither side of the
stream. Then I saw four humble in appearance, and behind all an
old man solitary coming asleep with lively countenance.[3] And
these seven were robed like the first band; but they made not a
thicket of lilies round their heads, rather of roses, and of
other red flowers. The sight at little distance would have sworn
that all were aflame above their brows. And when the chariot was
opposite to me thunder was heard, and those worthy people seemed
to have further progress interdicted, stopping there with the
first ensigns.

[1] The book of Acts, represented under rho type of its author,
St. Luke, "the beloved physician." Colossians, iv. 14. Man is the
creature whom Nature holds dearest.

[2] The Pauline Epistles, typified by their writer, whose sword
is the symbol of war and martyrdom, a contrary care to the
healing of men.

[3] The four humble in appearance are personifications of the
writers of the minor Epistles, followed by St. John, as the
writer of the Revelation, asleep, and yet with lively
countenance, because he was "in the Spirit" when he beheld his
vision.



CANTO XXX. The Earthly Paradise.--Beatrice appears.--Departure of
Virgil.--Reproof of Dante by Beatrice.


When the septentrion of the first heaven[1] which never setting
knew, nor rising, nor veil of other cloud than sin,--and which
was making every one there acquainted with his duty, as the
lower[2] makes whoever turns the helm to come to port,--stopped
still, the truthful people[3] who had come first between the
griffon and it,[4] turned to the chariot as to their peace, and
one of them, as if sent from heaven, singing, cried thrice,
"Veni, sponsa, de Libano,"[5] and all the others after.

[1] The seven candlesticks, symbols of the sevenfold spirit of
the Lord.

[2] The lower septentrion, or the seven stars of the Great Bear.

[3] The personifications of the truthful books of the Old
Testament.

[4] The septentrion of candlesticks.

[5] "Come with me from Lebanon, my spouse."--The Song of
Solomon, iv. 8.


As time blessed at the last trump will arise swiftly, each from
his tomb, singing hallelujah with recovered voice,[1] so upon the
divine chariot, ad vocem tanti senis,[2] rose up a hundred
ministers and messengers of life eternal. All were saying,
"Benedictus, qui venis,"[3] and, scattering flowers above and
around, "Manibus o date lilia plenis."[4]

[1] "And after these things I heard a great voice of much people
in Heaven, saying, Alleluia-" -- Revelation, xix. 1.

[2] "At the voice of so great an elder;" these words are in Latin
apparently only for the sake of the rhyme.

[3] "Blessed thou that comest."

[4] "Oh, give lilies with full hands;" words from the Aeneid,
vi. 884, sung by the angels.


I have seen ere now at the beginning of the day the eastern
region all rosy, while the rest of heaven was beautiful with fair
clear sky; and the face of the sun rise shaded, so that through
the tempering of vapors the eye sustained it a long while. Thus
within a cloud of flowers, which from the angelic hands was
ascending, and falling down again within and without, a lady,
with olive wreath above a white veil, appeared to me, robed with
the color of living flame beneath a green mantle.[1] And my
spirit that now for so long a time had not been broken down,
trembling with amazement at her presence, without having more
knowledge by the eyes, through occult virtue that proceeded from
her, felt the great potency of ancient love.

[1] The olive is the symbol of wisdom and of peace the three
colors are those of Faith, Charity, and Hope.


Soon as upon my sight the lofty virtue smote, which already had
transfixed me ere I was out of boyhood, I turned me to the left


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