Your postprandial, do you know that word? Postprandial. There was a
fellow I knew once in Barcelona, queer fellow, used to call it his
postprandial. Well: SLAINTE! Around the slabbed tables the tangle of wined
breaths and grumbling gorges. His breath hangs over our saucestained
plates, the green fairy's fang thrusting between his lips. Of Ireland, the
Dalcassians, of hopes, conspiracies, of Arthur Griffith now, A E,
pimander, good shepherd of men. To yoke me as his yokefellow, our crimes
our common cause. You're your father's son. I know the voice. His fustian
shirt, sanguineflowered, trembles its Spanish tassels at his secrets. M.
Drumont, famous journalist, Drumont, know what he called queen
Victoria? Old hag with the yellow teeth. VIEILLE OGRESSE with the DENTS
JAUNES. Maud Gonne, beautiful woman, LA PATRIE, M. Millevoye, Felix
Faure, know how he died? Licentious men. The froeken, BONNE A TOUT FAIRE,
who rubs male nakedness in the bath at Upsala. MOI FAIRE, she said, TOUS
LES MESSIEURS. Not this MONSIEUR, I said. Most licentious custom. Bath a
most private thing. I wouldn't let my brother, not even my own brother,
most lascivious thing. Green eyes, I see you. Fang, I feel. Lascivious
people.

The blue fuse burns deadly between hands and burns clear. Loose
tobaccoshreds catch fire: a flame and acrid smoke light our corner. Raw
facebones under his peep of day boy's hat. How the head centre got away,
authentic version. Got up as a young bride, man, veil, orangeblossoms,
drove out the road to Malahide. Did, faith. Of lost leaders, the betrayed,
wild escapes. Disguises, clutched at, gone, not here.

Spurned lover. I was a strapping young gossoon at that time, I tell
you. I'll show you my likeness one day. I was, faith. Lover, for her love
he prowled with colonel Richard Burke, tanist of his sept, under the walls
of Clerkenwell and, crouching, saw a flame of vengeance hurl them upward
in the fog. Shattered glass and toppling masonry. In gay Paree he hides,
Egan of Paris, unsought by any save by me. Making his day's stations, the
dingy printingcase, his three taverns, the Montmartre lair he sleeps short
night in, rue de la Goutte-d'Or, damascened with flyblown faces of the
gone. Loveless, landless, wifeless. She is quite nicey comfy without her
outcast man, madame in rue Git-le-Coeur, canary and two buck lodgers.
Peachy cheeks, a zebra skirt, frisky as a young thing's. Spurned and
undespairing. Tell Pat you saw me, won't you? I wanted to get poor Pat a
job one time. MON FILS, soldier of France. I taught him to sing THE BOYS
OF KILKENNY ARE STOUT ROARING BLADES. Know that old lay? I taught Patrice
that. Old Kilkenny: saint Canice, Strongbow's castle on the Nore. Goes
like this. O, O. He takes me, Napper Tandy, by the hand.


O, O THE BOYS OF
KILKENNY ...


Weak wasting hand on mine. They have forgotten Kevin Egan, not he
them. Remembering thee, O Sion.

He had come nearer the edge of the sea and wet sand slapped his
boots. The new air greeted him, harping in wild nerves, wind of wild air
of seeds of brightness. Here, I am not walking out to the Kish lightship,
am I? He stood suddenly, his feet beginning to sink slowly in the quaking
soil. Turn back.

Turning, he scanned the shore south, his feet sinking again slowly in
new sockets. The cold domed room of the tower waits. Through the
barbacans the shafts of light are moving ever, slowly ever as my feet are
sinking, creeping duskward over the dial floor. Blue dusk, nightfall, deep
blue night. In the darkness of the dome they wait, their pushedback
chairs, my obelisk valise, around a board of abandoned platters. Who to
clear it? He has the key. I will not sleep there when this night comes.
A shut door of a silent tower, entombing their--blind bodies, the
panthersahib and his pointer. Call: no answer. He lifted his feet up from
the suck and turned back by the mole of boulders. Take all, keep all. My
soul walks with me, form of forms. So in the moon's midwatches I pace the
path above the rocks, in sable silvered, hearing Elsinore's tempting
flood.

The flood is following me. I can watch it flow past from here. Get
back then by the Poolbeg road to the strand there. He climbed over the
sedge and eely oarweeds and sat on a stool of rock, resting his ashplant
in a grike.

A bloated carcass of a dog lay lolled on bladderwrack. Before him the
gunwale of a boat, sunk in sand. UN COCHE ENSABLE Louis Veuillot called
Gautier's prose. These heavy sands are language tide and wind have silted
here. And these, the stoneheaps of dead builders, a warren of weasel rats.
Hide gold there. Try it. You have some. Sands and stones. Heavy of the
past. Sir Lout's toys. Mind you don't get one bang on the ear. I'm the
bloody well gigant rolls all them bloody well boulders, bones for my
steppingstones. Feefawfum. I zmellz de bloodz odz an Iridzman.

A point, live dog, grew into sight running across the sweep of sand.
Lord, is he going to attack me? Respect his liberty. You will not be
master of others or their slave. I have my stick. Sit tight. From farther
away, walking shoreward across from the crested tide, figures, two. The
two maries. They have tucked it safe mong the bulrushes. Peekaboo. I see
you. No, the dog. He is running back to them. Who?

Galleys of the Lochlanns ran here to beach, in quest of prey, their
bloodbeaked prows riding low on a molten pewter surf. Dane vikings, torcs
of tomahawks aglitter on their breasts when Malachi wore the collar of
gold. A school of turlehide whales stranded in hot noon, spouting,
hobbling in the shallows. Then from the starving cagework city a horde of
jerkined dwarfs, my people, with flayers' knives, running, scaling,
hacking in green blubbery whalemeat. Famine, plague and slaughters. Their
blood is in me, their lusts my waves. I moved among them on the frozen


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