there first. There was weeping and gnashing of teeth over that. Out of an
advertisement. Gregor Grey made the design for it. That gave him the leg
up. Then Paddy Hooper worked Tay Pay who took him on to the STAR.
Now he's got in with Blumenfeld. That's press. That's talent. Pyatt! He
was all their daddies!
--The father of scare journalism, Lenehan confirmed, and the
brother-in-law of Chris Callinan.
--Hello? ... Are you there? ... Yes, he's here still. Come across
yourself.
--Where do you find a pressman like that now, eh? the editor cried.
He flung the pages down.
--Clamn dever, Lenehan said to Mr O'Madden Burke.
--Very smart, Mr O'Madden Burke said.
Professor MacHugh came from the inner office.
--Talking about the invincibles, he said, did you see that some hawkers
were up before the recorder ...
--O yes, J. J. O'Molloy said eagerly. Lady Dudley was walking home
through the park to see all the trees that were blown down by that cyclone
last year and thought she'd buy a view of Dublin. And it turned out to be
a commemoration postcard of Joe Brady or Number One or Skin-the-Goat.
Right outside the viceregal lodge, imagine!
--They're only in the hook and eye department, Myles Crawford said.
Psha! Press and the bar! Where have you a man now at the bar like those
fellows, like Whiteside, like Isaac Butt, like silvertongued O'Hagan. Eh?
Ah, bloody nonsense. Psha! Only in the halfpenny place.
His mouth continued to twitch unspeaking in nervous curls of disdain.
Would anyone wish that mouth for her kiss? How do you know? Why did
you write it then?
RHYMES AND REASONS
Mouth, south. Is the mouth south someway? Or the south a mouth?
Must be some. South, pout, out, shout, drouth. Rhymes: two men dressed
the same, looking the same, two by two.
. . . . . . . . . . . . . . . . . . .LA TUA PACE
. . . . . . . . . . . . . . .CHE PARLAR TI PIACE
. . . . .MENTREM CHE IL VENTO, COME FA, SI TACE.
He saw them three by three, approaching girls, in green, in rose, in
russet, entwining, PER L'AER PERSO, in mauve, in purple, QUELLA PACIFICA
ORIAFIAMMA, gold of oriflamme, DI RIMIRAR FE PIU ARDENTI. But I old men,
penitent, leadenfooted, underdarkneath the night: mouth south: tomb womb.
--Speak up for yourself, Mr O'Madden Burke said.
SUFFICIENT FOR THE DAY ...
J. J. O'Molloy, smiling palely, took up the gage.
--My dear Myles, he said, flinging his cigarette aside, you put a false
construction on my words. I hold no brief, as at present advised, for the
third profession qua profession but your Cork legs are running away with
you. Why not bring in Henry Grattan and Flood and Demosthenes and
Edmund Burke? Ignatius Gallaher we all know and his Chapelizod boss,
Harmsworth of the farthing press, and his American cousin of the Bowery
guttersheet not to mention PADDY KELLY'S BUDGET, PUE'S OCCURRENCES and our
watchful friend THE SKIBBEREEN EAGLE. Why bring in a master of forensic
eloquence like Whiteside? Sufficient for the day is the newspaper thereof.
LINKS WITH BYGONE DAYS OF YORE
--Grattan and Flood wrote for this very paper, the editor cried in his
face. Irish volunteers. Where are you now? Established 1763. Dr Lucas.
Who have you now like John Philpot Curran? Psha!
--Well, J. J. O'Molloy said, Bushe K.C., for example.
--Bushe? the editor said. Well, yes: Bushe, yes. He has a strain of it in
his blood. Kendal Bushe or I mean Seymour Bushe.
--He would have been on the bench long ago, the professor said, only
for ... But no matter.
J. J. O'Molloy turned to Stephen and said quietly and slowly:
--One of the most polished periods I think I ever listened to in my life
fell from the lips of Seymour Bushe. It was in that case of fratricide,
the Childs murder case. Bushe defended him.
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