At last I found myself awake and very hungry. I am inclined to
believe we must have spent the greater portion of a day before that
awakening. My hunger was at a stride so insistent that it moved me to
action. I told the curate I was going to seek food, and felt my way
towards the pantry. He made me no answer, but so soon as I began
eating the faint noise I made stirred him up and I heard him crawling
after me.
CHAPTER TWO
WHAT WE SAW FROM THE RUINED HOUSE
After eating we crept back to the scullery, and there I must have
dozed again, for when presently I looked round I was alone. The
thudding vibration continued with wearisome persistence. I whispered
for the curate several times, and at last felt my way to the door of
the kitchen. It was still daylight, and I perceived him across the
room, lying against the triangular hole that looked out upon the
Martians. His shoulders were hunched, so that his head was hidden
from me.
I could hear a number of noises almost like those in an engine
shed; and the place rocked with that beating thud. Through the
aperture in the wall I could see the top of a tree touched with gold
and the warm blue of a tranquil evening sky. For a minute or so I
remained watching the curate, and then I advanced, crouching and
stepping with extreme care amid the broken crockery that littered the
floor.
I touched the curate's leg, and he started so violently that a mass
of plaster went sliding down outside and fell with a loud impact. I
gripped his arm, fearing he might cry out, and for a long time we
crouched motionless. Then I turned to see how much of our rampart
remained. The detachment of the plaster had left a vertical slit open
in the debris, and by raising myself cautiously across a beam I was
able to see out of this gap into what had been overnight a quiet
suburban roadway. Vast, indeed, was the change that we beheld.
The fifth cylinder must have fallen right into the midst of the
house we had first visited. The building had vanished, completely
smashed, pulverised, and dispersed by the blow. The cylinder lay now
far beneath the original foundations--deep in a hole, already vastly
larger than the pit I had looked into at Woking. The earth all round
it had splashed under that tremendous impact--"splashed" is the only
word--and lay in heaped piles that hid the masses of the adjacent
houses. It had behaved exactly like mud under the violent blow of a
hammer. Our house had collapsed backward; the front portion, even on
the ground floor, had been destroyed completely; by a chance the
kitchen and scullery had escaped, and stood buried now under soil and
ruins, closed in by tons of earth on every side save towards the
cylinder. Over that aspect we hung now on the very edge of the great
circular pit the Martians were engaged in making. The heavy beating
sound was evidently just behind us, and ever and again a bright green
vapour drove up like a veil across our peephole.
The cylinder was already opened in the centre of the pit, and on
the farther edge of the pit, amid the smashed and gravel-heaped
shrubbery, one of the great fighting-machines, deserted by its
occupant, stood stiff and tall against the evening sky. At first I
scarcely noticed the pit and the cylinder, although it has been
convenient to describe them first, on account of the extraordinary
glittering mechanism I saw busy in the excavation, and on account of
the strange creatures that were crawling slowly and painfully across
the heaped mould near it.
The mechanism it certainly was that held my attention first. It
was one of those complicated fabrics that have since been called
handling-machines, and the study of which has already given such an
enormous impetus to terrestrial invention. As it dawned upon me
first, it presented a sort of metallic spider with five jointed,
agile legs, and with an extraordinary number of jointed levers, bars,
and reaching and clutching tentacles about its body. Most of its
arms were retracted, but with three long tentacles it was fishing
out a number of rods, plates, and bars which lined the covering and
apparently strengthened the walls of the cylinder. These, as it
extracted them, were lifted out and deposited upon a level surface
of earth behind it.
Its motion was so swift, complex, and perfect that at first I did
not see it as a machine, in spite of its metallic glitter. The
fighting-machines were coordinated and animated to an extraordinary
pitch, but nothing to compare with this. People who have never seen
these structures, and have only the ill-imagined efforts of artists or
the imperfect descriptions of such eye-witnesses as myself to go upon,
scarcely realise that living quality.
I recall particularly the illustration of one of the first
pamphlets to give a consecutive account of the war. The artist had
evidently made a hasty study of one of the fighting-machines, and
there his knowledge ended. He presented them as tilted, stiff
tripods, without either flexibility or subtlety, and with an
altogether misleading monotony of effect. The pamphlet containing
these renderings had a considerable vogue, and I mention them here
simply to warn the reader against the impression they may have
created. They were no more like the Martians I saw in action than a
Dutch doll is like a human being. To my mind, the pamphlet would have
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