In the original, below line 21, a square piece of the page has been
cut out about 9 centimetres by 7 and a blank piece has been gummed
into the place.
Lines 22-24 are written on the margin. l. 27 and 28 are close to the
second marginal sketch. l. 42 is a note written above the third
marginal sketch and on the back of this sheet is the text given as
No. 642. Compare also No. 802.]
712.
All the heads of the large nails.
[Footnote: See Pl. LXXVI, No. i. This drawing has already been
published in the "_Saggio delle Opere di L. da Vinci_." Milano 1872,
Pl. XXIV, No. i. But, for various reasons I cannot regard the
editor's suggestions as satisfactory. He says: "_Veggonsi le
armature di legname colle quali forse venne sostenuto il modello,
quando per le nozze di Bianca Maria Sforza con Massimiliano
imperatore, esso fu collocato sotto un arco trionfale davanti al
Castello_."
713.
These bindings go inside.
714.
Salt may be made from human excrements, burnt and calcined, made
into lees and dried slowly at a fire, and all the excrements produce
salt in a similar way and these salts when distilled, are very
strong.
[Footnote: VASARI repeatedly states, in the fourth chapter of his
_Introduzione della Scultura_, that in preparing to cast bronze
statues horse-dung was frequently used by sculptors. If,
notwithstanding this, it remains doubtful whether I am justified in
having introduced here this text of but little interest, no such
doubt can be attached to the sketch which accompanies it.]
715.
METHOD OF FOUNDING AGAIN.
This may be done when the furnace is made [Footnote: this note is
written below the sketches.] strong and bruised.
Models for the horse of the Sforza monument (716-718).
7l6.
Messer Galeazzo's big genet
717.
Messer Galeazzo's Sicilian horse.
[Footnote: These notes are by the side of a drawing of a horse with
figured measurements.]
718.
Measurement of the Sicilian horse the leg from behind, seen in
front, lifted and extended.
[Footnote: There is no sketch belonging to this passage. Galeazze
here probably means Galeazze di San Severino, the famous captain who
married Bianca the daughter of Ludovico il Moro.]
Occasional references to the Sforza monument (719-724).
719.
Again, the bronze horse may be taken in hand, which is to be to the
immortal glory and eternal honour of the happy memory of the prince
your father, and of the illustrious house of Sforza.
[Footnote: The letter from which this passage is here extracted will
be found complete in section XXI. (see the explanation of it, on
page 2).]
720.
On the 23rd of April 1490 I began this book, and recommenced the
horse.
721.
There is to be seen, in the mountains of Parma and Piacenza, a
multitude of shells and corals full of holes, still sticking to the
rocks, and when I was at work on the great horse for Milan, a large
sackful of them, which were found thereabout, was brought to me into
my workshop, by certain peasants.
722.
Believe me, Leonardo the Florentine, who has to do the equestrian
bronze statue of the Duke Francesco that he does not need to care
about it, because he has work for all his life time, and, being so
great a work, I doubt whether he can ever finish it. [Footnote: This
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