A simple and natural method; showing how objects appear to the eye
without any other medium.
The object that is nearest to the eye always seems larger than
another of the same size at greater distance. The eye _m_, seeing
the spaces _o v x_, hardly detects the difference between them, and
the. reason of this is that it is close to them [Footnote 6: It is
quite inconceivable to me why M. RAVAISSON, in a note to his French
translation of this simple passage should have remarked: _Il est
clair que c'est par erreur que Leonard a ecrit_ per esser visino _au
lieu de_ per non esser visino. (See his printed ed. of MS. A. p.
38.)]; but if these spaces are marked on the vertical plane _n o_
the space _o v_ will be seen at _o r_, and in the same way the space
_v x_ will appear at _r q_. And if you carry this out in any place
where you can walk round, it will look out of proportion by reason
of the great difference in the spaces _o r_ and _r q_. And this
proceeds from the eye being so much below [near] the plane that the
plane is foreshortened. Hence, if you wanted to carry it out, you
would have [to arrange] to see the perspective through a single hole
which must be at the point _m_, or else you must go to a distance of
at least 3 times the height of the object you see. The plane _o p_
being always equally remote from the eye will reproduce the objects
in a satisfactory way, so that they may be seen from place to place.
87.
How every large mass sends forth its images, which may diminish
through infinity.
The images of any large mass being infinitely divisible may be
infinitely diminished.
88.
Objects of equal size, situated in various places, will be seen by
different pyramids which will each be smaller in proportion as the
object is farther off.
89.
Perspective, in dealing with distances, makes use of two opposite
pyramids, one of which has its apex in the eye and the base as
distant as the horizon. The other has the base towards the eye and
the apex on the horizon. Now, the first includes the [visible]
universe, embracing all the mass of the objects that lie in front of
the eye; as it might be a vast landscape seen through a very small
opening; for the more remote the objects are from the eye, the
greater number can be seen through the opening, and thus the pyramid
is constructed with the base on the horizon and the apex in the eye,
as has been said. The second pyramid is extended to a spot which is
smaller in proportion as it is farther from the eye; and this second
perspective [= pyramid] results from the first.
90.
SIMPLE PERSPECTIVE.
Simple perspective is that which is constructed by art on a vertical
plane which is equally distant from the eye in every part. Complex
perspective is that which is constructed on a ground-plan in which
none of the parts are equally distant from the eye.
91.
PERSPECTIVE.
No surface can be seen exactly as it is, if the eye that sees it is
not equally remote from all its edges.
92.
WHY WHEN AN OBJECT IS PLACED CLOSE TO THE EYE ITS EDGES ARE
INDISTINCT.
When an object opposite the eye is brought too close to it, its
edges must become too confused to be distinguished; as it happens
with objects close to a light, which cast a large and indistinct
shadow, so is it with an eye which estimates objects opposite to it;
in all cases of linear perspective, the eye acts in the same way as
the light. And the reason is that the eye has one leading line (of
vision) which dilates with distance and embraces with true
discernment large objects at a distance as well as small ones that
are close. But since the eye sends out a multitude of lines which
surround this chief central one and since these which are farthest
from the centre in this cone of lines are less able to discern with
accuracy, it follows that an object brought close to the eye is not
at a due distance, but is too near for the central line to be able
to discern the outlines of the object. So the edges fall within the
lines of weaker discerning power, and these are to the function of
the eye like dogs in the chase which can put up the game but cannot
take it. Thus these cannot take in the objects, but induce the
central line of sight to turn upon them, when they have put them up.
Hence the objects which are seen with these lines of sight have
confused outlines.
The relative size of objects with regard to their distance from the
eye (93-98).
93.
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