The conditions of shadow and light [as seen] by the eye are 3. Of
these the first is when the eye and the light are on the same side
of the object seen; the 2nd is when the eye is in front of the
object and the light is behind it. The 3rd is when the eye is in
front of the object and the light is on one side, in such a way as
that a line drawn from the object to the eye and one from the object
to the light should form a right angle where they meet.

114.

OF PAINTING.

This is another section: that is, of the nature of a reflection
(from) an object placed between the eye and the light under various
aspects.

115.

OF PAINTING.

As regards all visible objects 3 things must be considered. These
are the position of the eye which sees: that of the object seen
[with regard] to the light, and the position of the light which
illuminates the object, _b_ is the eye, _a_ the object seen, _c_ the
light, _a_ is the eye, _b_ the illuminating body, _c_ is the
illuminated object.

116.

Let _a_ be the light, _b_ the eye, _c_ the object seen by the eye
and in the light. These show, first, the eye between the light and
the body; the 2nd, the light between the eye and the body; the 3rd
the body between the eye and the light, _a_ is the eye, _b_ the
illuminated object, _c_ the light.

117.

OF PAINTING.

OF THE THREE KINDS OF LIGHT THAT ILLUMINATE OPAQUE BODIES.

The first kind of Light which may illuminate opaque bodies is called
Direct light--as that of the sun or any other light from a window or
flame. The second is Diffused [universal] light, such as we see in
cloudy weather or in mist and the like. The 3rd is Subdued light,
that is when the sun is entirely below the horizon, either in the
evening or morning.

118.

OF LIGHT.

The lights which may illuminate opaque bodies are of 4 kinds. These
are: diffused light as that of the atmosphere, within our horizon.
And Direct, as that of the sun, or of a window or door or other
opening. The third is Reflected light; and there is a 4th which is
that which passes through [semi] transparent bodies, as linen or
paper or the like, but not transparent like glass, or crystal, or
other diaphanous bodies, which produce the same effect as though
nothing intervened between the shaded object and the light that
falls upon it; and this we will discuss fully in our discourse.

Definition of the nature of shadows (119--122).

119.

WHAT LIGHT AND SHADOW ARE.

Shadow is the absence of light, merely the obstruction of the
luminous rays by an opaque body. Shadow is of the nature of
darkness. Light [on an object] is of the nature of a luminous body;
one conceals and the other reveals. They are always associated and
inseparable from all objects. But shadow is a more powerful agent
than light, for it can impede and entirely deprive bodies of their
light, while light can never entirely expel shadow from a body, that
is from an opaque body.

120.

Shadow is the diminution of light by the intervention of an opaque
body. Shadow is the counterpart of the luminous rays which are cut
off by an opaque body.

This is proved because the shadow cast is the same in shape and size
as the luminous rays were which are transformed into a shadow.

121.

Shadow is the diminution alike of light and of darkness, and stands
between darkness and light.

A shadow may be infinitely dark, and also of infinite degrees of
absence of darkness.

The beginnings and ends of shadow lie between the light and darkness
and may be infinitely diminished and infinitely increased. Shadow is
the means by which bodies display their form.

The forms of bodies could not be understood in detail but for


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