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history of painting (660. 661).--The painter's scope (662).

X.

STUDIES AND SKETCHES FOR PICTURES AND DECORATIONS

On pictures of the Madonna (663).--Bernardo di Bandino's portrait
(664).--Notes on the Last Supper (665--668).--On the battle of
Anghiari (669).--Allegorical representations referring to the duke
of Milan (670--673).--Allegorical representations
(674--678).--Arrangement of a picture (679).--List of drawings
(680).--Mottoes and Emblems (681--702).






The author's intention to publish his MSS.

1.

How by a certain machine many may stay some time under water. And
how and wherefore I do not describe my method of remaining under
water and how long I can remain without eating. And I do not publish
nor divulge these, by reason of the evil nature of men, who would
use them for assassinations at the bottom of the sea by destroying
ships, and sinking them, together with the men in them. Nevertheless
I will impart others, which are not dangerous because the mouth of
the tube through which you breathe is above the water, supported on
air sacks or cork.

[Footnote: The leaf on which this passage is written, is headed with
the words _Casi_ 39, and most of these cases begin with the word
'_Come_', like the two here given, which are the 26th and 27th. 7.
_Sughero_. In the Codex Antlanticus 377a; 1170a there is a sketch,
drawn with the pen, representing a man with a tube in his mouth, and
at the farther end of the tube a disk. By the tube the word
'_Channa_' is written, and by the disk the word '_sughero_'.]

The preparation of the MSS. for publication.

2.

When you put together the science of the motions of water, remember
to include under each proposition its application and use, in order
that this science may not be useless.--

[Footnote: A comparatively small portion of Leonardo's notes on
water-power was published at Bologna in 1828, under the title: "_Del
moto e misura dell'Acqua, di L. da Vinci_".]

Admonition to readers.

3.

Let no man who is not a Mathematician read the elements of my work.

The disorder in the MSS.

4.

Begun at Florence, in the house of Piero di Braccio Martelli, on the
22nd day of March 1508. And this is to be a collection without
order, taken from many papers which I have copied here, hoping to
arrange them later each in its place, according to the subjects of
which they may treat. But I believe that before I am at the end of
this [task] I shall have to repeat the same things several times;
for which, O reader! do not blame me, for the subjects are many and
memory cannot retain them [all] and say: 'I will not write this
because I wrote it before.' And if I wished to avoid falling into
this fault, it would be necessary in every case when I wanted to
copy [a passage] that, not to repeat myself, I should read over all
that had gone before; and all the more since the intervals are long
between one time of writing and the next.

[Footnote: 1. In the history of Florence in the early part of the
XVIth century _Piero di Braccio Martelli_ is frequently mentioned as
_Commissario della Signoria_. He was famous for his learning and at
his death left four books on Mathematics ready for the press; comp.
LITTA, _Famiglie celebri Italiane_, _Famiglia Martelli di
Firenze_.--In the Official Catalogue of MSS. in the Brit. Mus., New
Series Vol. I., where this passage is printed, _Barto_ has been
wrongly given for Braccio.

2. _addi 22 di marzo 1508_. The Christian era was computed in
Florence at that time from the Incarnation (Lady day, March 25th).
Hence this should be 1509 by our reckoning.

3. _racolto tratto di molte carte le quali io ho qui copiate_. We
must suppose that Leonardo means that he has copied out his own MSS.
and not those of others. The first thirteen leaves of the MS. in the
Brit. Mus. are a fair copy of some notes on physics.]

Suggestions for the arrangement of MSS treating of particular
subjects.(5-8).

5.

Of digging a canal. Put this in the Book of useful inventions and in


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